When people sign up for one of my workshops, they usually come expecting to learn from me—how to simplify their camera settings, adapt when the light changes, or capture fast-paced action like the white horses of Camargue. And yes, teaching those things is a big part of why I’m there.

When people sign up for one of my workshops, they usually come expecting to learn from me—how to simplify their camera settings, adapt when the light changes, or capture fast-paced action like the white horses of Camargue. And yes, teaching those things is a big part of why I’m there.

Travel photography is about timing, storytelling, and connection—not obsessing over camera settings.
Yet, whether it’s in the temples of Bali, the markets of the South of France, the waterfalls of Iceland, or the streets of Vietnam, I see photographers fall into the same trap: overthinking their settings and missing the moment

This Wednesday, I’m heading back to a place that left a lasting impression on me: the South of France. Last summer, before heading to Paris to cover the Olympics, I spent a week exploring Provence. I barely scratched the surface — but even that brief taste was enough to know I’d be coming back. There’s something about the golden light, the timeless villages, the relaxed rhythm of the region that stays with you. It did with me.

If you know me, you know I’m a notorious over-packer. I tend to agonize over what to bring on every trip, trying to prepare for every possible scenario — and every trip is different.

Winter photography travel brings the stress of heavy clothing: bulky layers, gloves, hats, and the gear needed to stay warm and dry. Summer, on the other hand, means managing heat, but there’s always that one day when cooler temps or unexpected rain rolls in — and you’re wishing you had packed smarter.

Have you ever dreamed about traveling to a beautiful place — camera in hand — and returning home not just with great photos, but with new skills, new friends, and a renewed sense of creative purpose? If that idea lights you up, but you’ve never been on a photography workshop before, I’d like to share a few thoughts — and some encouragement.